Tag Archives: learning to write

Writers gather for ASU conference

Food writing, emotional prose, market trends and creative writing for the classroom — all are planned topics for the 2013 ASU writers conference called “Desert Nights, Rising Stars.”

Early bird registration for the Feb. 22-24 gathering ends Friday, Dec. 14 — so it seems a good day to get this baby on your radar. The three-day event features keynote speakers, classes, readings, book signings, receptions and such.

ASU Writers Conference 2013I’m told the theme is “popular fictions.” Think mystery, science fiction, fantasy and the like. Twenty faculty are listed in event materials at this point, and I’m thrilled to see publishing noted on six bios so far.

Genres likely being covered at the conference include television and film, adult, young adult, children, poetry, fiction, creative nonfiction, historical fiction, romance and more. The finishes touches are still underway.

Specific sessions noted in online materials address diverse topics including writing about family, an editor’s role, commercial vs. literary writing, writing the book proposal, promotion through social networks and many more — even writing through revelations, visions and dreams.

Click here to learn more. Then point me to the session about writing in your sleep.

— Lynn

Note: Click here to explore other programs offered by the Virgina G. Piper Center for Creative Writing at ASU in Tempe

Coming up: Movie musings

Desert Nights, Rising Stars

2011 conference participants relaxing in the Piper Writers House garden between classes (Photo: Kevin S. Moul)

The “Desert Nights, Rising Stars Writers Conference” takes place Feb. 23-26 on Arizona State University’s Tempe campus, home to the Virginia G. Piper Center for Creative Writing.

The conference welcomes writers of all levels — who enjoy opportunities to hone their craft in the classroom with distinguished writers and dialogue with fellow writers during classes, readings and other events. 

2011 Desert Nights, Rising Stars class (Photo: Kevin S. Moul)

Conference organizers note that keeping the number of participants small provides an experience that is “both intimate and affordable.” Registration for this year’s conference closes on Jan. 27.

Those who register can sign-up for optional master classes for an additional charge. As of Friday morning, there were still “a few seats available” in the fiction master class with Mat Johnson. Johnson’s bio notes that the author is “a novelist who sometimes writes other things.”

Reading by author Robert Boswell during the 2011 Desert Nights, Rising Stars conference (Photo: Kevin S. Moul)

This year’s conference blends returning and new faculty. Returning faculty members include Robert Boswell, an author of eleven books who lives in Texas, Colorado and New Mexico.

I was delighted to learn that high school students register for the conference each year. Organizers note that the conference is appropriate for “mature high school juniors and seniors” — adding that several high school students who’ve attended prior conferences “were fully engaged in the sessions and inspired to continue with their writing.”

Participants are required to register for all four days, but individual tickets for some faculty readings are made available “as space allows” just before the conference.

Exterior of Old Main on the ASU campus, site of most conference classes, readings and panels (Photo: Kevin S. Moul)

“Desert Nights, Rising Stars” begins the evening of Thurs, Feb. 23 with an opening banquet and the introduction of faculty. Both Friday and Saturday offerings begin with a keynote address, followed by discussion classes and master classes.

Afternoons feature faculty readings and a combination of classes, panels and multi-faculty Q & A sessions. Faculty readings and book signings round out the days.

Bios and photographs for 16 conference faculty members and 17 additional guests are available on the Virginia G. Piper Center for Creative Writing website, and I’m having great fun exploring them.

So far I’ve uncovered faculty from Pennsylvania, Michigan, Texas, California, Florida and Wales. All specialize in one of three areas — fiction, nonfiction or poetry. Many appear to lead fascinating lives beyond pen and page.

2011 Q & A with authors Robert Boswell, Tara Ison and Jem Poster in the Piper Writers House (Photo: Kevin S. Moul)

Folks can click here for a comprehensive rundown of conference FAQs that answer all but one simple question — Why would anyone who travels to Arizona in March ever decide to go home again?

— Lynn

Note: The Virginia G. Piper Center for Creative Writing also offers a distinguished visiting writers series, writing classes, author readings and other events. Click here to learn more.

Coming up: Library meets latte, Schoolhouse tales

A playwright’s journey

Arizona playwright, performer and director Kim Porter

“I was an actor first,” recalls Kim Porter, a Valley mother of two whose play titled “Munched” opens next month at Space 55 in Phoenix. It’s the tale of a mother with Munchausen syndrome and the grown daughter who asks “Why?”

Porter says she began “noodling around with writing” in high school, fantasizing that she’d one day write novels while wearing sweaters in New England. “I’d turn out a few pages,” muses Porter, “then crap out.”

“No one ever taught me to write,” shares Porter. Instead, she learned by doing. Porter toyed with sketch comedy before tackling solo shows. “I had funny ideas, but no conflict.” Porter recalls needing a “writing 101 class” but instead taught herself how to write.

Soon Porter, living in San Francisco at the time, became the “go to person” for theater folk eager to pen their own plays. She’d found her “niche” in teaching and coaching others. “By watching others make mistakes, I learned more about writing,” reflects Porter. “That’s my heart’s work,” she says.

When career opportunities opened for her husband here in Phoenix, and the “arcane process” of choosing the best school fit for daughter Colette felt too frustrating, Porter and her husband headed to Arizona — where Porter is now a member of the Space 55 ensemble. Porter will be performing the lead role in “Munched,” a work first conceived shortly after her daughter was born.

“Munched” originated during wee hour (think 1 am) nursing sessions. “I had one arm underneath the baby,” recalls Porter, “and another clicking arond on the mommy boards.” She discovered “all these stories of judging mothers, but also anger towards the medical establishment.”

The mommy blogs were full of birth stories — Porter calls them “horror stories” — in which the childbirth experience so many expected to be perfectly blissful went awry. But Porter read more than mommy blogs. One book, titled “Geek Love,” stuck with her. “I was moved and horrified,” she recalls, “by all those people who had self-mutilated.”

“What kind of person,” wondered Porter, “mutilates themselves or others?” Each time Porter encountered a story of mutilation, medical malpractice or maternal misconduct, she found herself going back and forth about whether the person at the heart of the story was innocent or guilty.

Porter coupled these musings with her belief that everyone yearns “for a time when they were a lap baby.” Even grown-ups, she says, feel a primal longing to be cuddled by their mothers. “What,” Porter wondered, “would the loss of a mom or child feel like?” She wanted to explore the interconnectedness of mother and child “in all its healthy and unhealthy” ways.

Munched by Kim Porter is meant for mature audiences

The result was “Munched,” which Porter describes as “a who-done-it and a love story.” She’s careful to halt her description there, preferring that parents experience the work for themselves rather than hearing her take on what they’re likely to think or feel while encountering it.

The Space 55 production of “Munched” is directed by Duane Daniels, who previously directed the work in Los Angeles. Shawna Franks, a Space 55 founder who serves as artistic director, praises Daniels for being open to his actors while keeping his own vision.

Franks credits a series of Tuesday night dinners she once hosted for fellow playwrights with launching Space 55. The company will revisit their very first production, “7 Minutes in Heaven,” for its seventh anniversary next June.

Franks hails from theater-rich Chicago and, like Porter, is a proud mother of two. So what does Franks think of Porter’s work? “I’m deeply committed,” shares Franks, “to her writing, her talent and her voice.” Franks sees “Munched” as the perfect fit for Space 55, noting that the ensemble-based company favors “new, original and rarely seen” works.

Like Porter, Space 55 is on a journey. During the next several years, Franks hopes to increase funding for Space 55, give birth to offshoots producing fresh new works and help launch works like “Munched” onto the national stage.

They’re off to a good start. The Space 55 production of playwright Greg Kotis’ “The Unhappiness Plays” was part of this year’s New York International Fringe Festival, and “Munched” will be performed by Sugar Valley Theatricals at Manhattan Theatre Source come November.

Porter’s days of “crapping out” seem well behind her, replaced by the ability to steadfastly shepherd an idea from conception to maturity. How lovely to travel the joint journey of parenting and playwriting with the sheer joy and terror that each can bring.

— Lynn

Note: Click here to learn more about Munchausen syndrome by proxy, here to learn more about Space 55 and here to learn more about playwright Kim Porter.

Coming up: MLK takes center stage, Opportunities for young writers

Ready, set, write…

Both this metal quill and the black marble inkwell below, created in 1994 by artist Larry Kirkman, are visible as you enter the Scottsdale Civic Center library

There’s a lovely house in Tempe that’s home to the ASU Virginia G. Piper Center for Creative Writing. Its Piper Writer Studio offers writing classes for adults of all ability levels, and registration for their fall offerings in underway.

All courses are led by an experienced writer and teacher. Some take place in the historic Piper Writers House on the ASU Tempe campus. Others are offered online. Your Fall 2011 choices include an eight week poetry session and two four week fiction sessions. Online poetry and fiction courses are also available.

Artworks offer plenty of writing inspiration

Several one day classes are scheduled for October. Topics include memory versus imagination, the art of the very short story, tools for writing dynamic characters and more. Costs are reasonable and discounts are given to “Piper Friends.”

The Arizona Authors Association keeps a calendar of writing-related events offered around the Valley and the state. Think book signings, writers club meetings, writing seminars  and more. Some are meant for writers of a particular genre like romance or mystery. There are groups for Christian writers, groups for women writers and plenty more.

I need a group for writers who write about other writers. Maybe I should head out to ASU’s Piper Center for the 2011-12 “Distinguished Visiting Writers Series” featuring free public lectures by writers here for residencies with ASU faculty and graduate students. The fall lineup includes poets Tony Barnstone and Bruce Weigl, plus novelist Aimee Bender.

Writers often tout the value of a rich reading life in honing the craft of writing, so your local bookstore is a good place to check for writing-related events and classes. Changing Hands Bookstore in Tempe, for example, has offerings that include a mystery bookgroup, a poetry roundtable and more.

I pause to admire this work (the quill and inkwell pictured above) every time I visit my local library

One of my favorite pairs of writers, Amy Silverman and Deborah Sussman Susser, lead “Mothers Who Write” workshops just a couple of times each year at the Scottsdale Museum of Contemporary Art. These puppies fill quickly.

Keep an eye on local museums, libraries, theater companies and community colleges for additional writing workshops and opportunities to interact with other writers. We’re interesting folk and better than you might think at sharing.

— Lynn

Coming up: Celebrating International Peace Day

The smell of childhood?

Orange blossom soap from Athens Locally Grown

When I connected recently with Tempe mother and journalist Amy Silverman, she shared a bit with me about her Arizona childhood.

Seems she’d recently purchased a bar of soap with an orange blossom scent. “It literally made me sick,” Silverman told me. “It smelled like my childhood.”

In a sentence, sometimes less, Silverman conjures detailed images that transport readers to other places and perspectives.

Orange blossom cheesecake from Atlanta Cheesecake Company

Hence her many accolades and awards. She’s been twice honored by the Arizona Press Club with the Virg Hill Journalist of the Year award.

For 18 years she’s worked for Phoenix New Times — serving the last six as managing editor.

Still, Silverman finds time to share her talents with others. She’s co-founder, along with Deborah Sussman Susser, of a “Mothers Who Write” class that helps women find and share their voices.

A public reading by “Mothers Who Write” participants (past and present) takes place Sat, May 7 from 2-4pm at the Scottsdale Center for the Performing Arts. It’s free and open to the public, though some material may not be suitable for children.

Orange blossom gift basket from LadyBug Great Gifts

I’d like to see Silverman pen a children’s book. Perhaps something about Praying Monk on Camelback Mountain — a Valley landmark Silverman says she’s always thought of as “the camel’s eyelash.”

Silverman and her husband have two daughters, so she’s got plenty of pearls about both parenting and poising the pen. Registration for the next 10-week “Mothers Who Write” workshop will begin July 1 through the Scottsdale Museum of Contemporary Art.

Orange blossom cocktail from Science of Drink

The workshop offers “support and advice for writing mothers (of all ages) who want to develop their craft and receive feedback on their work.” Though all genres are welcome, the main focus is creative non-fiction, poetry and fiction.

Visit the “Mothers Who Write” website to learn more about classes, readings and the many adventures of “Mothers Who Write” alumni — including Deborah Rich Gettleman of Theatre Artists Studio and Raising Arizona Kids Magazine.

And keep an eye out for the June 2011 issue of Raising Arizona Kids magazine — because the ever-fascinating Silverman and her family are profiled in the “AZ Generations” column.

— Lynn

Note: Click here for a list of journalists who’ve won 2010 Arizona Press Club awards — which includes two mothers who write for Raising Arizona Kids magazine. Winners will be recognized May 21 at the Arizona Press Club Awards Party in Phoenix.

Coming: More mothers who write