Tag Archives: Patti LuPone

Don’t judge a diva by her cover

Patti Lupone's memoir makes for great Tony weekend reading

After opening a gift from my husband late last year, I exchanged a knowing glance with my daughter Lizabeth. Think smirking, and rolling our eyes. It was the one book I’d never imagined myself reading. A memoir by legendary actress Patti LuPone. We’ve always considered her more of a diva, as if that was some kind of crime.

But on the eve of the 2011 Tony Awards, I find myself turning to the memoir with a newfound admiration for LuPone, who tells her own story with fluid writing and thought — plus grace, gratitude and humor. I like it. I see a lot of LuPone in Lizabeth, though it’s unlikely she’ll appreciate my saying so before she’s braved some time with the book for herself.

LuPone enjoyed early dance and piano lessons, caught the performing bug at the tender age of four, and hated most academic study with a passion. She played cello, took the laissez-faire approach to Juilliard auditions, and counted on a small group of teachers and mentors who really “got her.”

LuPone first performed the role of Rose in Gypsy in 2006 at the Ravina Festival (Photo: Patti LuPone website)

“A Memoir” by Patti LuPone would be wise summer reading for theater students eager to learn more about the craft of acting, the path to self-discovery and the means for avoiding so much folly along the way. The book will also interest breast cancer survivors, and those of us labeled “stage mother” by self or others.

LuPone’s own mother spent much of her time driving daughter Patti and twin boys Billy and Bobby to and fro. “My mother was not a stage mother in any respect,” writes LuPone. “Mom’s life force was driving us from one lesson to the next. If she was a stage mother, it manifest itself in her pride in her three kids.”

The final three chapters of LuPone’s memoir are devoted to her time with the musical “Gypsy.” She begins as follows: “Rose Hovick–Madame Rose–is commonly stigmatized as the mother of all stage mothers, but that’s not the woman I see.”

LuPone earned a 2008 Tony Award for her Broadway performance of Rose (Photo: Patti LuPone website)

“I see a woman,” write LuPone, who loves her daughters. She’s ferociously driven, but she loves her kids.” LuPone performed the role of Louise (“Gypsy”) as a 15 year old but admits she “didn’t pay any attention to the character of Rose.”

LuPone first played Rose in 2006, and went on to sweep all sorts of 2008 theater awards — including the Tony Award for best actress — for her portrayal of Rose in “Gypsy” on Broadway. “I know,” writes LuPone, that Gypsy will remain one of if not the best experiences I’ve ever had in my career.”

She’ll bring “The Gypsy in My Soul,” a collection of story and song, to Arizona next year — Scottsdale Center for the Performing Arts on March 3 and UA’s Centennial Hall in Tucson on March 4.

Get your tickets now. Read the book right after. Then mark your calendar for the Phoenix Theatre production of “Gypsy” — which runs March 7-April 1, 2012. I’d love to see LuPone extend her Arizona stay long enough to enjoy opening night.

The only thing better would be having LuPone in the house on April Fool’s Day. By her own admission, LuPone can be a bit reckless. LuPone says she loves to laugh, and it’s clear from even a cursory reading of her memoir that “mischief” could have been her middle name.

— Lynn

Note: Both LuPone and Laura Benanti are nominated for a 2011 Tony Award for “best performance by an actress in a featured role in a musical” for work in “Women on the Verge of a Nervous Breakdown.”

Coming up: Feeling blue, Stage meets suffragette, What a difference a move makes

Tony Award winners heading to Scottsdale

Sometimes good news is bittersweet. I’m thrilled with the line-up of Broadway talent coming the the Valley during the 2011/12 season, but lamenting the loss of my best theater buddy. My 17-year-old daughter Lizabeth graduated Thursday night from Arizona School for the Arts in Phoenix, and heads to NYC this fall to start B.F.A. in acting studies.

I suppose it heralds a new stage in a relationship forged largely through our shared love of theater. I’ll be attending Valley theater events on my own, and she’ll be enjoying live theater on Broadway and throughout the region. Hopefully she’ll find time to call home now and then so we can swap stories.

Bebe Newerth has Tony Awards for her performances in Chicago and Sweet Charity

I’ll have plenty of Tony Award® winning powerhouses to take my mind off missing Lizabeth — Bebe Neuwirth, Tyne Daly, Patti LuPone, Jane Krakowski. Though it’s unlikely even their performances will never top my memories of watching Lizabeth perform in her final ASA Showcase at the Orpheum — where she and fellow theater students rocked “21 Guns” from “American Idiot” and did a twisted take on “Little Red Riding Hood” proud.

We’ve been enjoying art exhibits and live performances together at the Scottsdale Center for the Performing Arts for as long as I can remember. Dance recitals. Outdoor symphony concerts. And most recently, an evening with Broadway legend Betty Buckley and Seth Rudetsky.

We were thrilled to see Kristin Chenoweth during her ARTrageous performance at Scottsdale Center for the Performing Arts, though disappointed we’d missed her latte run to the local Starbucks. ARTrageous 2011, titled “An Evening on Broadway,” stars Marvin Hamlisch, Linda Eder and J. Mark McVey.

ARTrageous takes place Sat, Dec. 3 — making tickets or an evening of music together the perfect holiday gift. Choose the VIP ticket option if you’d also like to enjoy cocktails, hors d’oeuvres, dinner and an apres-concert desert reception — as well as local entertainment and a silent auction — to benefit the Scottsdale Center for the Performing Arts and the Scottsdale Museum of Contemporary Art.

Hamlisch has not only a Tony Award®, but also three Oscars, four Emmys, four Grammys and three Golden Globes. When last Lizabeth was asked to write about a composer whose work she admired, Hamlisch was the logical choice. His music for “A Chorus Line” was recognized with a Pulitzer Prize, and we adore it.

Eder is a versatile vocalist who elevates everything she sings, from Broadway and jazz to country and pop. Her newest CD, titled “Now,” couples Eder’s artistry with that of Broadway and pop composer Frank Wildhorn. McVey made his Broadway debut as Jean Valjean in “Les Miserables” after his touring performance earned the Helen Hayes Award for “Outstanding Actor.”

Ben Vereen brings his musical autobiography to Scottsdale in November

Broadway fans should take note of at least two other offerings from the Scottsdale Center for the Performing Arts 2011/12 season. Tony Award® winner Ben Vereen performs a “musical autobiography” of his life titled “Steppin’ Out” on Sat, Nov 19. And the Tues, Dec 6 “Keyboard Conversations”® with Jeffrey Siegel (think concert plus commentary) features a “Gershwin and Friends” theme. (Check out the “Keyboard in the Sky”™ while Siegel tickles the ivories.)

I’d live on Broadway if they’d let me. I’d love to pop in and out of all sorts of theaters, and sneak occasional peaks at the daughter who’ll be honing her own acting craft just a few blocks away. But something tells me Lizabeth won’t be missing the theater together time nearly as much as me. And that’s as it should be.

— Lynn

Note: Click here to read a companion post featuring news of a new exhibit at the Scottsdale Civic Center Library — and related events that’ll up the exhibit’s fun factor.

Coming up: From Sondheim to South Park

Moms in musical theater

Patti LuPone as Mama Rose in Gypsy on Broadway-Photo by Joan Marcus. LuPone performs at Scottsdale Center for the Performing Arts March 3, 2012.

I got to thinking about mothers in musical theater the other day while looking forward to the return of “Mamma Mia!” to ASU Gammage this week, which my daughter Lizabeth is eager to see for a second time. Apparently watching a fictional parent prance around in bell bottoms has more appeal than living with the real thing.

Alice Ripley as Diana in Next to Normal-Photo by Joan Marcus

We’ve seen all sorts of parents portrayed on Valley, and other, stages. We saw Alice Ripley perform the role of “Diana” in “Next to Normal” at the Balboa Theatre in San Diego. Estelle Parsons perform the role of “Violet” in “August: Osage County” at ASU Gammage. And Rich Hebert perform the role of “Dad” in “Billy Elliot” at ASU Gammage as well.

“Mamma Mia!” follows the adventures of a young daughter, “Sophie,” readying to wed. She lives on an island with her mom, “Donna,” who isn’t quite sure which of three suitors from her own youth might be Sophie’s biological father. It’s all set to music by ABBA and it’s an especially fun show for folks who like their theater upbeat and awash with bright colors.

Madalena Alberto as Fantine in Les Mis-Photo by Michael La Poer Trench

A mother facing a more serious dilemma, the care of her young daughter in her absence, is at the heart of the next musical coming to ASU Gammage — Les Miserables. As a mom named “Fantine” who has sacrificed much for her child lay dying, an ex-convict named “Jean Valjean” vows to keep the child “Cosette” safe. It proves quite a task given his own past and stirrings of revolution in early 19th century France.

The perplexing nature of parenting seems sometimes to be the only thing fueling the future of theater craft. A quick review of shows coming to Valley stages during the 2011/12 season reveals a long list of works filled with mommy or daddy issues — some set to music, others just words.

Kaye Tuckerman as Donna and Chloe Tucker as Sophie in Mamma Mia!-Photo by Joan Marcus

Arizona Theatre Company presents the Yasmina Rez play “God of Carnage” in Tucson and Phoenix this fall. It’s the tale of two couples brought together by a playground fight between their 11-year-old sons. I’m delighted to learn that mothers and daughters aren’t always the ones under the microscope.

Phoenix Theatre performs a classic work of musical theater about stage mothering gone horribly wrong next spring. “Gypsy” is the story of “Mama Rose” and the two daughters forced to endure her insecurity and interference. That woman needs to cut the cord already.

Arizona Jewish Theatre Company presents “The Blessing of a Broken Heart,” based on a book in which Sheri Mandell shares experiences surrounding the murder of her 13-year-old son Koby and his friend Yosef. It’s been adapted for the stage by Todd Salovey, and reviews of other productions paint it as gut-wrenching.

While I suppose it’s tempting for some to relish all those ABBA moments without experiencing more sobering reflections on parenting, I’m looking forward to doing both.

— Lynn

Look to these nuns for some serious fun... (Photo: Scottsdale Center for the Performing Arts)

Note: Looking for an additional way to enjoy mother/daughter or grown-up friend time? Head to Scottsdale Center for the Performing Arts Sat, May 21 for the “Sing-Along Sound of Music.” $12/adults, $6 children ages 3-12. Warm up & costume contest at 2pm, film and sing-along at 2:3opm. Hosted by “Sister” Patti Hannon of “Late Night Catechism.” Click here for info on costume discount available from Mardi Gras costumes in Scottsdale.

Coming up: Summer dance classes, Ode to season tickets, Seuss meets symphony, Musings on photo I.D.