Tag Archives: Queen of Hearts

Declaration of War

I’m beginning to understand the logic behind heading to “Talk Cinema” films at Scottsdale Center for the Performing Arts without knowing what they are. “Talk Cinema” is a monthly film screening featuring works selected by New York film critic Harlan Jacobson, and many of its subsribers choose to attend each month not knowing his selection.

But I always peek first, just like I did when Christmas presents called my name from under the tree as a very young child. The venue posts a link with information on the film just days before it’s screened, for those of us who like to look. I expected to watch a war film after seeing that the January selection was titled “Declaration of War,” and I did.

But “Declaration of War” doesn’t recount a battle of countries or ideas. Instead, it’s the tale of two French parents tackling their young son’s brain tumor. I wasn’t feeling particularly perky Tuesday night before heading out to the screening, and expecting to be hit with a depressing flick made it harder to get up and go. But something in the movie’s poster signaled it might be more joyous than morose.

And I was curious, having seen one of our own children battle cancer, about how another family’s struggle might look different from our own. Many in the audience spoke after the film of feeling incredibly sad while viewing it, but I felt quite the opposite — because the boy expected to die before he could start school instead becomes a cancer survivor. And despite the family’s tragedy, their lives are filled with simple joys that others facing less trying times often have a hard time mustering.

“Declaration of War” was written by Valerie Donzelli and Jeremie Elkaim, the parents at the heart of the film, and directed by Donzelli. Both were working actors in France prior to creating and starring in this film, which premiered during critics week at the 2011 Cannes Film Festival and was submitted by France for the foreign-language film Oscar. Donzelli was also writer, actor and director for a 2009 film called “The Queen of Hearts.”

Their characters in “Declaration of War” are young parents named Romeo and Juliette. As the film opens, we hear two oddly similar  but jarring sounds — the beat of club music and the drumming sound of an MRI machine in action. Their time with one quickly shifts to time with the other, hasted cinematically by quick, rough shots using a Canon 5D camera and pulsating music that drives them quickly from the diaper stage to diagnosis — from feeling inept within the walls of their home to being empowered inside hospital corridors.

In the film, infant son Adam (César Desseix) seems perfectly normal at birth. Once home, he cries nearly non-stop — something parents and professionals chalk up to being overfed or getting new teeth until other problems emerge. The 18-month old can’t balance to walk and begins vomiting for no apparent reason. Eventually a doctor spots something suspicious, and orders the test that launches the couple’s journey into childrearing and cancer.

Our first look at Adam comes quite early in the film, when he’s eight years old and played by the couple’s own son, Gabriel Elkaim. Jacobson says it frees the viewer to follow the film’s sometimes wild ride rather than fretting throughout about the boy’s possible death. Gabriel survives cancer but the couple’s romantic relationship, conveyed in the film by singing to and with one another, does not — though they continue to parent and work together.

Jacobson shared his film expertise during a talk-back session after the screening, noting that box office sales in France rose last year as box office sales in the U.S. sagged. Despite higher ticket sales, he says, our box office revenues fell by 12%. 

Apparently Americans don’t have much appetite for foreign films. “If you like  foreign films,” quiped Jacobson, “you’re part of the one percent.” About 1/3 of foreign film revenues in the U.S. are earned in New York City, he says. Hence my daughter’s delight in seeing movies in Manhattan weeks before they open in Arizona.

The current “Talk Cinema” series at Scottsdale Center for the Performing Arts includes four more screenings — on Feb. 7, March 20, April 17 and May 8. Tickets for students (with current student I.D.) are just $10. There’s no popcorn, and the crowd is remarkably quiet, making for a lovely low-cal evening enjoyed alone or with friends.

— Lynn

Note: Click here to learn about a Scottsdale-based organization called Students Supporting Brain Tumor Research, which presents their 2012 Phoenix/Scottsdale walk-a-thon on Sun, Feb. 12.

Coming up: Celebrating MLK the arts & culture way

Alice (and Phoebe) in Wonderland

Valley Youth Theatre in Phoenix presents "Alice in Wonderland" in downtown Phoenix

Lizabeth came downstairs one morning after watching a movie she’d rented online. She was eager to tell me about this tale of a family living with a young girl who is “different” — and who becomes involved with the world of theater.

The film, a 2008 ThinkFilm production, is titled “Phoebe in Wonderland.” It’s made the film festival rounds and earned accolades including a Heartland “Truly Moving Picture Award.”

It reminded me that our own Valley Youth Theatre, whose alumni include Emma Stone (recent nominee for a “best actress” Golden Globe Award), will perform “Alice in Wonderland” Feb 4-20 at the VYT theater in downtown Phoenix. Update: Show extended through Feb 27.

I was delighted to see familiar youth on the cast list, including Nathan Naimark (Footman/Executioner) — whose mom Dana Wolfe Naimark was the subject of a recent “Stage Mom” post.

While the young Naimark is readying for opening night, his mother — the head of Children’s Action Alliance — is contending with budget cuts that impact Arizona children in all sorts of ways.

I suspect she’ll be experiencing a few of her own “Tweedledee” and “Tweedledum” moments in the coming weeks and months.

But back to the fabulous cast of VYT’s “Alice in Wonderland” — which includes Maddy Rathbun (Alice), Alex Acosta (Mad Hatter), and Lindsey Brown (Queen of Hearts).

Couple VYT's non-musical "Alice in Wonderland" with a tea party, arts & crafts or puppet play

Were my girls a decade or so younger, I’d be working to put together an “Alice in Wonderland” weekend of sorts — having friends over to explore the Lewis Carroll tale via movies, books, puppet theater and the live VYT performance (which is a non-musical).

Kids can get some serious arts and crafts projects out of “Alice in Wonderland” characters and themes — objects changing size, roses painted different colors, playing cards that come to life.

Even a tea party at home, in the park or a charming Valley venue — such as the Teeter House at Heritage Square in downtown Phoenix — would be fun.

I suspect that the sets and costumes for VYT’s “Alice in Wonderland” will inspire hours of imaginative play. And who knows, your own son or daughter might discover that live theater is most wonderful wonderland of all.

— Lynn

Note: Heartland Truly Moving Movies is a non-profit organization whose work includes an annual film competition for works by high school students. Entries for the 2011 Heartland High School Film Competition are being accepted through June 1, 2011. Those who enter before April 15 pay no submission fee, and will be considered for a scholarship to attend “Prodigy Camp.”

Coming up: Other youth theater works coming to Valley stages, Arizona Girlchoir offerings, Musings on art and rock ‘n’ roll, Nuclear weapons take center stage, Summer camp meets glee club