Alice was just falling down the hole when I finally found my way to Desert Rose Theatre, which performs in the Power Square Mall in Mesa. A pair of gentlemen dressed in long black coats and bowler hats held Alice’s outstretched arms as she made her imaginary descent, landing on the floor that quickly gave rise to Wonderland.
Audience members were scattered throughout ten rows of folding chairs, each with a red pad to cushion back or bottomside, in a space that’d conjure images of the one-time Chyro Arts venue in Scottsdale if couches filled the room instead. Next time I’m opting for a front row seat so I can enjoy a completely unobstructed view.
Kelly Turner rocks the role of Alice in her Desert Rose Theatre debut. Turner’s command of character and dialogue are the linchpin of this show, and I’d have been rapt throughout had other characters never graced the stage. Musical takes on the “Alice in Wonderland” tale sometimes lose the story amidst all the song and dance. But Desert Rose Theatre puts story front and center.
Their “Alice in Wonderland” is a Katherine Stewart adaptation of Lewis Carroll’s famous work about the little girl whose world gets turned upside down during a dream that features time with animals who talk and sip tea. At every turn, Alice hears someone asking, “Who are you?” Potions and powerful mushrooms give her the chance to become lesser or greater, but she’s not entirely sure which choice to make.
Carroll’s musings on identity and human nature are aptly captured and conveyed in this 90-minute play directed by Stewart. Set design by Jennifer Shoemaker features everything from tinsel, mirrors and gears to accordian-style tubing with a vaccum cleaner vibe. Costume design by Stewart nails steampunk style with goggles, feathers, antlers, fingerless gloves, fur collars and a nifty assortment of headgear.
Despite confessing a disdain for cats, Kellen Garner imbues The Cheshire Cat with polished playfulness — complete with furballs. Carson Saline’s The White Rabbit is equally delightful. Richard Wells does The Caterpillar proud wearing a bright red Shriners hat, and the Tweedle twins are outrageously funny armed with matching umbrellas. Tess Jenkins is Tweedledee and Ryan Janko is Tweedledum.
The cast also includes Dave Edmunds (The March Hare), Christopher Ellis (The King of Hearts), Joshua Scott Hunt (The Hatter), Diane Senffner (Queen of Hearts), Faith Willman (Kitty, Knave of Hearts) and Brittany Woodbury The Dormouse). Sound design is by Stewart. Rosa Cluff Gates is stage manager, and Christina Tibbetts is assistant stage manager. Jon Hoose is house manager.
Together they’ve created a production of “Alice in Wonderland” that leaves room to really reflect on Carroll’s observations. If you don’t think, you shouldn’t talk. We’re all torn between adventure and familiarity. You always have more than nothing. We’d all be queens if bossiness conveyed royalty.
Throw in a hookha, laser pointer and hot pink flamingos, and you’ve got a steampunk show that’s oddly electrifying.
— Lynn
Note: Click here to enjoy an introduction to steampunk art, music and theater from the PBS Arts “Off Book” series. And stay tuned for “Alice” photos…
Coming up: A daughter living with doubt