I wasn’t all that wild about Monty Python before seeing a touring production of “Spamalot” at ASU Gammage a while back, but that was a conversion experience of sorts — wrought in large measure by the charms of a killer rabbit. I saw the Phoenix Theatre production of “Spamalot,” which opens their 2012/13 season, last Saturday — and felt perfectly satiated in the silly department only a minute or so into the show.
“Spamalot” imagines the quest of King Arthur and his Knights of the Round Table for the Holy Grail, a cup Jesus is said to have used during a final meal with his disciples. Think Middle Ages meets Vegas showgirls and you’ve got the Phoenix Theatre vibe — a truly extravagent blend of chainmail with cheekiness. Michael Barnard, artistic director for Phoenix Theatre, directs the show and does musical staging.
Monty Python’s “Spamalot” features book (the stuff you don’t sing) and lyrics by Eric Idle, and music by John Du Prez and Eric Idle. Its creators say it was “lovingly ripped off” from the motion picture “Monte Python and the Holy Grail,” which features a screenplay by Idle and five other fellows.
“Spamalot” stars U.S. Marine Corps veteran and Phoenix Theatre first-timer Joseph Cannon in the role of Arthur, but it’s David Errigo, Jr. rocking the role of Arthur’s sidekick Patsy who really steals the show. Phoenix Theatre’s own Robert Kolby Harper (Robin) and Toby Yatso (Lancelot) deliver exquisite comedic performances, and Harper seems to truly find his bliss while in tap dancing mode.
Kimberly Hamby brings big, beautiful vocals to the role of Lady of the Lake — hamming it up in ways only “Spamalot” afficianados will fully appreciate. Eddie Maldonado garnered well-deserved outbursts of audience laughter for his portrayal of Prince Herbert — one of many performances that make this take on “Spamalot” feel fresh.
The cast also includes Michael Andrako (Galahad), Jonathan Brian Furedy (Not Dead Fred/Historian/Robin’s Minstrel) and Chris Mascarelli (Bedevere, Herbert’s Father, Galahad’s Mother). Ensemble cast members are Heth’r Brady, Lauren Devine, Trisha Hart Ditsworth, Maris Fernandes, Tyler J. Gasper, Molly Lajoie, Nathaniel Luis, Logan Mitchell, John Wagner, Evan Tyler and Maldonado.
The creative team includes Pasha Yamotahari (assistant director/resident dramaturg), Alan Ruch (music director), Robert Kolby Harper (choreography), Mike Eddy (lighting designer), Robert Kovach (scenic designer), Dave Temby (sound designer), Tim Hatley (costume designer) and Tim Kauffman (hair and make-up designer) and several other fine folks. All delivered fabulous fare.
It’s hard to take anything too far in a show like “Spamalot” but Phoenix Theatre went there while having a tad too much fun with all things flatulent. Sure, the show is a gas — but I didn’t need quite that much of it. Still, it’s a sin easily forgiven in this quest for the holy grail, which turns a time filled with pestilence into such a lavish party.
— Lynn
Coming up: A play about play